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Swashbuckling in Vietnam: Reading American Mythical Landscapes in Robin Moore’s The Green Berets
https://chuo-u.repo.nii.ac.jp/records/12025
https://chuo-u.repo.nii.ac.jp/records/1202580ad2e72-4c82-4955-9364-02a87f927db7
| 名前 / ファイル | ライセンス | アクション |
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本文を見る (74.9 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2020-02-22 | |||||||
| タイトル | ||||||||
| タイトル | Swashbuckling in Vietnam: Reading American Mythical Landscapes in Robin Moore’s The Green Berets | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | twentieth-century American Literature | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | the Vietnam War | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Post-Colonialism | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | the frontier myth | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者 |
NAITO, Hiroaki
× NAITO, Hiroaki
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| 著者別名 | ||||||||
| 識別子Scheme | WEKO | |||||||
| 識別子 | 46340 | |||||||
| 姓名 | 内藤, 容成 | |||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | Drawing upon previous studies on American Vietnam War literature and the myth of the frontier, America’s dominant national creation myth that romanticizes European settlers’ violent confrontation with native Americans in the New World wilderness, this essay examines Robin Moore’s novel The Green Berets (1965), one of the earliest American fictions to write about the war. It contends that Moore tries to define the land and the people of Vietnam in terms heavily loaded with the conventional images of the frontier mythology, and that those images helped to form the society’s earliest view on the war. This essay reads Moore’s Vietnam combat novel with a special focus upon “Home to Nannette,” a chapter that recounts a Special Forces man’s secret mission to fight with Communist guerrilla forces in Laotian mountains. Narrating the protagonist’s lonesome, perilous journey into the heart of Indochinese wilderness, its plot bears striking similarities to that of what Amy Kaplan calls “swashbuckling romances,” popular historical novels widely read in the latenineteenth-century America. Both Moore’s Vietnam novel and nineteenthcentury historical romances have a white American male endowed with traditional virtues of frontiersmen as their protagonist and dramatizes his violent adventure and romance with an exotic, native woman in foreign landscapes. This essay attempts an in-depth investigation into the narrative similarities between the two to understand further the colonial ideology that underlies Moore’s Vietnam War novel and its close ties with the myth of the frontier. |
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| 書誌情報 |
人文研紀要 巻 94, p. 13-37, 発行日 2019-09-30 |
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| 出版者 | ||||||||
| 出版者 | 中央大学人文科学研究所 | |||||||
| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 0287-3877 | |||||||
| 権利 | ||||||||
| 権利情報 | この資料の著作権は、資料の著作者または学校法人中央大学に帰属します。著作権法が定める私的利用・引用を超える使用を希望される場合には、掲載誌発行部局へお問い合わせください。 | |||||||
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| 内容記述タイプ | Other | |||||||
| 内容記述 | application/pdf | |||||||
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| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
