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To the Ear of the Other: Rhizome Self-Adaptation in the Works of J. T. LeRoy
https://chuo-u.repo.nii.ac.jp/records/12026
https://chuo-u.repo.nii.ac.jp/records/120264ea6d7c0-af30-4e2b-b8e9-73691206f694
| 名前 / ファイル | ライセンス | アクション |
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本文を見る (94.5 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2020-02-22 | |||||||
| タイトル | ||||||||
| タイトル | To the Ear of the Other: Rhizome Self-Adaptation in the Works of J. T. LeRoy | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | J. T. LeRoy | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | autofiction | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | postmodern | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Jacques Derrida | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | adaptation | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者 |
WAKE, Issei
× WAKE, Issei
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| 著者別名 | ||||||||
| 識別子Scheme | WEKO | |||||||
| 識別子 | 46342 | |||||||
| 姓名 | 和氣, 一成 | |||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | In the late 90s, J. T. LeRoy’s purportedly semi-autobiographical tales became a cult hit. For around six years, a large number of readers believed that LeRoy was an HIV-positive boy who had experienced extreme poverty, drug addiction, and emotional and sexual abuse in his childhood and adolescence. However, LeRoy was unveiled, in fact, to be the pseudonym and fabricated persona of Laura Albert, who was a forty-year-old San Francisco woman originally from New York and who actually wrote these best-selling fictional novels and communicated with people in the persona of LeRoy via phone and e-mail. After the release of the first novel Sarah, Albert had her sister-in-law Savannah Knoop publicly disguise appearances as the supposed writer. The works and elusive appearance by LeRoy attracted a considerable amount of literary and celebrity attention. The authenticity of LeRoy has been a subject of debate, even as details of the creation came to light in the 2000s. This case lays bare the motives behind literary faux, and prompts us to reconsider LeRoy’s authorship. When placed within the milieu of the Derridean trace, what Albert, Knoop, and the readers have been doing can be reinterpreted as tracking the residue of the relationship with others in autofiction that appears before and beyond language/writing. LeRoy’s work and its scandal embody how the concept of writing and the other (irreducible alterity) are inseparably linked. The texts as intersubjective dynamics offer an arena where traumatic past memories are always being inscribed with LeRoy and his/her autofiction are being opened up to endless future possibilities. |
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| 書誌情報 |
人文研紀要 巻 94, p. 39-73, 発行日 2019-09-30 |
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| 出版者 | ||||||||
| 出版者 | 中央大学人文科学研究所 | |||||||
| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 0287-3877 | |||||||
| 権利 | ||||||||
| 権利情報 | この資料の著作権は、資料の著作者または学校法人中央大学に帰属します。著作権法が定める私的利用・引用を超える使用を希望される場合には、掲載誌発行部局へお問い合わせください。 | |||||||
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| 内容記述タイプ | Other | |||||||
| 内容記述 | application/pdf | |||||||
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| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
