@article{oai:chuo-u.repo.nii.ac.jp:00016870,
 author = {劉, 銀炅},
 journal = {中央大学政策文化総合研究所年報},
 month = {Aug},
 note = {application/pdf, The SF novel "Japan Sinks" is a story of the near future published in 1973, and includes the intention of the writer to think about the future of the Japanese who lost their territory. However, it is hard to say that the authorʼs intention is used in later movies and dramas. Of course, just because there is an original, it is not necessar y to follow the original in consideration of the authorʼs intention. This is because these works are different from the original. The newly created work incorporates the social atmosphere and peopleʼs feelings of the time. Of course, there are limits as a medium for pursuing commercial interests. Also, in dramas and movies, it may be a completely different work depending on the acting of the actor, and it may be difficult to evoke empathy because it is an actual actor. In some cases, viewers can easily get into the animation. Animation with literary motifs is also a complete creative work. The characterʼs face is a creation, and in that respect animation may be a good vessel for reflecting literature. However, it is a new work that is completely different from the original, and has the potential to create new art. Isnʼt the media mix of literature not only a commercial meaning, but another way of creating art that opens up the possibility of creating various works of art based on literature?},
 pages = {201--211},
 title = {SF 小説『日本沈没』の映像化から見る 文学のメディアミックス},
 volume = {25},
 year = {2022},
 yomi = {ユ, ウンキョン}
}