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Beyond the Prose Poem : Sarah Manguso’s Manipulations of Genre
https://chuo-u.repo.nii.ac.jp/records/7156
https://chuo-u.repo.nii.ac.jp/records/71569c3b9c7d-f896-466a-931c-733afe252c65
| 名前 / ファイル | ライセンス | アクション |
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本文を見る (487.7 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2016-01-25 | |||||||
| タイトル | ||||||||
| タイトル | Beyond the Prose Poem : Sarah Manguso’s Manipulations of Genre | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | prose poetry | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | poetry | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Sarah Manguso | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | autobiography | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | genre | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | literary subversion | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | contemporary literature | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | American literature | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者 |
MATHEWS, Cy
× MATHEWS, Cy
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| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | Once seen as a subversive and even illegitimate genre, prose poetry had become increasingly accepted by critics and scholars as a legitimate literary genre. With this acceptance, however, the subversive experimental energies of the form have been effectively neutralised. In this article I examine the work of the contemporary American writer Sarah Manguso, positioning it within the critical context of prose poetry as outlined by theorists such as Jonathan Monroe and Steven Monte. I argue that the movement in Manguso’s work from verse poetry towards a generically ambiguous form of prose constitutes a response to what Monroe has termed the broader “crisis of acceptability” in which contemporary prose poetry finds itself. By expanding her texts beyond the conventional boundaries of prose poetry, I argue, Manguso has demonstrated how the genre’s subversive potential can be revitalized. She has also created a body of work that resists easy interpretation and categorization on both stylistic and thematic levels, challenging its readers to question both the assumption they make about texts and the relationships that exist between individual works in a writer’s oeuvre. | |||||||
| 書誌情報 |
総合政策研究(CJPSCS) en : Chuo Journal of Policy Sciences and Cultural Studies (CJPSCS) 巻 23, p. 105-117, 発行日 2015-03-30 |
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| 出版者 | ||||||||
| 出版者 | 中央大学総合政策学部 | |||||||
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| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 1341-7827 | |||||||
| 権利 | ||||||||
| 権利情報 | この資料の著作権は、資料の著作者または学校法人中央大学に帰属します。著作権法が定める私的利用・引用を超える使用を希望される場合には、掲載誌発行部局へお問い合わせください。 | |||||||
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| 内容記述タイプ | Other | |||||||
| 内容記述 | application/pdf | |||||||
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| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
