{"created":"2023-05-15T13:48:20.530819+00:00","id":8252,"links":{},"metadata":{"_buckets":{"deposit":"1c263e52-4b0f-4c24-8d61-c6fbb58d37cc"},"_deposit":{"created_by":1,"id":"8252","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"8252"},"status":"published"},"_oai":{"id":"oai:chuo-u.repo.nii.ac.jp:00008252","sets":["267:461"]},"author_link":["37954","37955"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-09-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"76","bibliographicPageStart":"61","bibliographicVolumeNumber":"85","bibliographic_titles":[{"bibliographic_title":"人文研紀要"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　小説は虚構の形式を使っても真実を語るものという態度で創られ，伝統的なリアリズム手法が主流となってきた。しかし19世紀末あたりから，人間生活の実情やそこに含まれる問題点を提示するのに，リアリズム手法がかならずしも有効ではなくなってくる。T・ハーディは『日陰者ジュード』でリアリズムを越え，V・ウルフは小説のスタイルを変える。本論文では，とくに小説の方法に執着したウルフの試みの経緯を中心に，芸術作品としての小説のあり方を考えてみたい。","subitem_description_type":"Abstract"}]},"item_10002_full_name_32":{"attribute_name":"著者別名(英)","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"37955","nameIdentifierScheme":"WEKO"}],"names":[{"name":"FUKASAWA, Suguru","nameLang":"en"}]}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"中央大学人文科学研究所"}]},"item_10002_rights_15":{"attribute_name":"権利","attribute_value_mlt":[{"subitem_rights":"この資料の著作権は、資料の著作者または学校法人中央大学に帰属します。著作権法が定める私的利用・引用を超える使用を希望される場合には、掲載誌発行部局へお問い合わせください。"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0287-3877","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"深澤, 俊"},{"creatorName":"フカサワ, スグル","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"37954","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-04-25"}],"displaytype":"detail","filename":"JICS85_01-04_061-076_Y4_Fukasawa.pdf","filesize":[{"value":"498.2 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"本文を見る","url":"https://chuo-u.repo.nii.ac.jp/record/8252/files/JICS85_01-04_061-076_Y4_Fukasawa.pdf"},"version_id":"0fa00abf-98ed-49aa-ad3f-9b10afa0dd8c"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"イギリス小説の技法","subitem_subject_scheme":"Other"},{"subitem_subject":"リアリズム","subitem_subject_scheme":"Other"},{"subitem_subject":"モダニズム","subitem_subject_scheme":"Other"},{"subitem_subject":"T・ハーディ","subitem_subject_scheme":"Other"},{"subitem_subject":"V・ウルフ","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"イギリス小説の方法論","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"イギリス小説の方法論"},{"subitem_title":"The Art of the English Novel","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"1","path":["461"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-06-07"},"publish_date":"2017-06-07","publish_status":"0","recid":"8252","relation_version_is_last":true,"title":["イギリス小説の方法論"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-05-15T17:51:40.055460+00:00"}