WEKO3
アイテム
{"_buckets": {"deposit": "45d5cc92-2c4f-44a7-aa28-ad1e17c5ad4f"}, "_deposit": {"created_by": 1, "id": "12111", "owners": [1], "pid": {"revision_id": 0, "type": "depid", "value": "12111"}, "status": "published"}, "_oai": {"id": "oai:chuo-u.repo.nii.ac.jp:00012111", "sets": ["661"]}, "author_link": ["48481", "48482"], "item_10002_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2019-09-10", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "103", "bibliographicPageStart": "87", "bibliographicVolumeNumber": "22", "bibliographic_titles": [{"bibliographic_title": "中央大学政策文化総合研究所年報"}]}]}, "item_10002_description_19": {"attribute_name": "フォーマット", "attribute_value_mlt": [{"subitem_description": "application/pdf", "subitem_description_type": "Other"}]}, "item_10002_description_5": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "After Meiji Restoration, the process of modernization greatly changed Japanese people’s thoughts and sensitivity. This change can be described as “a transition from fiction to real”. For instance, we can observe this in the field of entertainment at that time. There were several major forms of entertainments. Kabuki is a classical dancedrama, started in early seventeenth century. On the other hand, Soshi Shibai was a new form of public entertainment started by Otojiiro Kawakami in early Meiji period to promote the Freedom and People’s Rights Movement. Enka is another new form of public entertainment influenced by these movements. While the Meiji government forcefully encouraged Kabuki business to write their scenarios based on facts, it is Soshi Shibai which wrote the scenarios including facts. Also, Azenbou Soeda, a Enka singer, also included the important events and social trends in his songs. Effectively, the Freedom and People’s Right movement, not the pressure from authorities, facilitated the progress of “real” in public entertainments.", "subitem_description_type": "Abstract"}]}, "item_10002_full_name_32": {"attribute_name": "著者別名(英)", "attribute_value_mlt": [{"nameIdentifiers": [{"nameIdentifier": "48482", "nameIdentifierScheme": "WEKO"}], "names": [{"name": "HIROOKA, Moriho", "nameLang": "en"}]}]}, "item_10002_publisher_8": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "中央大学政策文化総合研究所"}]}, "item_10002_rights_15": {"attribute_name": "権利", "attribute_value_mlt": [{"subitem_rights": "この資料の著作権は、資料の著作者または学校法人中央大学に帰属します。著作権法が定める私的利用・引用を超える使用を希望される場合には、掲載誌発行部局へお問い合わせください。"}]}, "item_10002_source_id_9": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "1344-2902", "subitem_source_identifier_type": "ISSN"}]}, "item_10002_version_type_20": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "廣岡, 守穂"}, {"creatorName": "ヒロオカ, モリホ", "creatorNameLang": "ja-Kana"}], "nameIdentifiers": [{"nameIdentifier": "48481", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2020-05-29"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "1344-2902_22_87-103.pdf", "filesize": [{"value": "958.9 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 958900.0, "url": {"label": "本文を見る", "url": "https://chuo-u.repo.nii.ac.jp/record/12111/files/1344-2902_22_87-103.pdf"}, "version_id": "cac30099-a85e-459d-adfa-056b09408e70"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "河竹黙阿弥", "subitem_subject_scheme": "Other"}, {"subitem_subject": "川上音二郎", "subitem_subject_scheme": "Other"}, {"subitem_subject": "添田唖蝉坊", "subitem_subject_scheme": "Other"}, {"subitem_subject": "歌舞伎", "subitem_subject_scheme": "Other"}, {"subitem_subject": "壮士芝居", "subitem_subject_scheme": "Other"}, {"subitem_subject": "演歌", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Mokuami Kawatake", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Otojiiro Kawakami", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Azenbou Soeda", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Kabuki", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Soshi Shibai", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Enka", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "フィクションとリアル―河竹黙阿弥・川上音二郎・添田唖蝉坊―", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "フィクションとリアル―河竹黙阿弥・川上音二郎・添田唖蝉坊―"}, {"subitem_title": "From Fiction to Real in Entertainment in Meiji Era", "subitem_title_language": "en"}]}, "item_type_id": "10002", "owner": "1", "path": ["661"], "permalink_uri": "https://chuo-u.repo.nii.ac.jp/records/12111", "pubdate": {"attribute_name": "公開日", "attribute_value": "2020-05-29"}, "publish_date": "2020-05-29", "publish_status": "0", "recid": "12111", "relation": {}, "relation_version_is_last": true, "title": ["フィクションとリアル―河竹黙阿弥・川上音二郎・添田唖蝉坊―"], "weko_shared_id": -1}
フィクションとリアル―河竹黙阿弥・川上音二郎・添田唖蝉坊―
https://chuo-u.repo.nii.ac.jp/records/12111
https://chuo-u.repo.nii.ac.jp/records/121111fbaef91-e5f4-4a6f-b12c-6ec46835a692
名前 / ファイル | ライセンス | アクション |
---|---|---|
本文を見る (958.9 kB)
|
|
Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2020-05-29 | |||||
タイトル | ||||||
タイトル | フィクションとリアル―河竹黙阿弥・川上音二郎・添田唖蝉坊― | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | From Fiction to Real in Entertainment in Meiji Era | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 河竹黙阿弥 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 川上音二郎 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 添田唖蝉坊 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 歌舞伎 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 壮士芝居 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 演歌 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Mokuami Kawatake | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Otojiiro Kawakami | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Azenbou Soeda | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Kabuki | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Soshi Shibai | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Enka | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
廣岡, 守穂
× 廣岡, 守穂 |
|||||
著者別名(英) | ||||||
姓名 | HIROOKA, Moriho | |||||
言語 | en | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | After Meiji Restoration, the process of modernization greatly changed Japanese people’s thoughts and sensitivity. This change can be described as “a transition from fiction to real”. For instance, we can observe this in the field of entertainment at that time. There were several major forms of entertainments. Kabuki is a classical dancedrama, started in early seventeenth century. On the other hand, Soshi Shibai was a new form of public entertainment started by Otojiiro Kawakami in early Meiji period to promote the Freedom and People’s Rights Movement. Enka is another new form of public entertainment influenced by these movements. While the Meiji government forcefully encouraged Kabuki business to write their scenarios based on facts, it is Soshi Shibai which wrote the scenarios including facts. Also, Azenbou Soeda, a Enka singer, also included the important events and social trends in his songs. Effectively, the Freedom and People’s Right movement, not the pressure from authorities, facilitated the progress of “real” in public entertainments. | |||||
書誌情報 |
中央大学政策文化総合研究所年報 巻 22, p. 87-103, 発行日 2019-09-10 |
|||||
出版者 | ||||||
出版者 | 中央大学政策文化総合研究所 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 1344-2902 | |||||
権利 | ||||||
権利情報 | この資料の著作権は、資料の著作者または学校法人中央大学に帰属します。著作権法が定める私的利用・引用を超える使用を希望される場合には、掲載誌発行部局へお問い合わせください。 | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 |