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フラナリー・オコナー「聖霊のやどる神殿」における “emptiness”
https://chuo-u.repo.nii.ac.jp/records/8947
https://chuo-u.repo.nii.ac.jp/records/89474c6b9b5c-72de-432a-a00c-f8130ad9885c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
本文を見る (311.5 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2018-04-11 | |||||
| タイトル | ||||||
| タイトル | フラナリー・オコナー「聖霊のやどる神殿」における “emptiness” | |||||
| タイトル | ||||||
| タイトル | “Emptiness” in Flannery O’Connor’s “A Temple of the Holy Ghost” | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Flannery OʼConnor | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | “A Temple of the Holy Ghost” | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
久保, 尚美
× 久保, 尚美 |
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| 著者別名(英) | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 39196 | |||||
| 姓名 | KUBO, Naomi | |||||
| 言語 | en | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Even though Flannery Oʼ Connor proclaimed herself as a “novelist who is a Catholic,” there are only four stories in which she introduced Catholic characters. This article examines “A Temple of the Holy Ghost,” which comprises the most explicit Catholic narrative among all her works. In OʼConnorʼs works, such as Wise Blood and The Violent Bear It Away, the feeling of emptiness reveals the charactersʼ acute hunger for God. Focusing on the twelve-year-old female protagonist in “A Temple of the Holy Ghost,” I examine how the feeling of emptiness is related to her search for identity. The unnamed protagonist at the onset of puberty feels uncertain about her future. She feels uncomfortable with her gender role as a teenage girl and lacks confidence in her religious attitude because she believes she has committed the sin of Pride. Although she is aware of this, her anxiety leads to behaviors hurtful to others. In her search for identity, however, she is given a religious self-image of “a temple of the Holy Ghost.” The self-image can subordinate the categories of male or female under a more powerful religious identity, which she is eager to attain. Then, the image of a self-assured carnival hermaphrodite, who also identifies him/herself as “a temple of the Holy Ghost” prepares her to accept all that she is. After these preparations, her emptiness is finally but momentarily fulfilled by Christ when the priest raises the Host in the chapel, which is also “a temple of the Holy Ghost.” | |||||
| 書誌情報 |
英語英米文学 巻 58, p. 49-66, 発行日 2018-02-28 |
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| 出版者 | ||||||
| 出版者 | 中央大学英米文学会 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 0286-7710 | |||||
| 権利 | ||||||
| 権利情報 | この資料の著作権は、資料の著作者または学校法人中央大学に帰属します。著作権法が定める私的利用・引用を超える使用を希望される場合には、掲載誌発行部局へお問い合わせください。 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
